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Alive, and one. We are one, and while we love, death will never touch us. 'The grave's a fine and private place/ but none, I think, do there embrace.

Alive, and one. We are one, and while we love, death will never touch us. ‘The grave’s a fine and private place/ but none, I think, do there embrace.
– Diana Gabaldon

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  1. The voice sang on, -œI am ready, I am ready, I am fine. I am fine, I am fine, I am fine.- I played it again. I was not fine. – Kimberly Novosel
  2. Either a municipal bog is a private place or it isn’t. If it is a private place in which to shit, how is it not a private place in which to fellate? – Stephen Fry
  3. All loss is one, and one loss becomes all, a single death is the key to the gate that bars memory. – Diana Gabaldon
  4. True, the body’s easily maimed, and the spirit can be crippled – yet there’s that in a man that is never destroyed. – Diana Gabaldon
  5. Maybe he’s not coming,’ I whispered to Damar. ‘He’s crazy after all. Maybe something shiny caught his attention and he forgot about me. – Diana Graves
  6. Yeah and purple monkeys fly from my ass at dawn. – Diana Graves
  7. Overall, the library held a hushed exultation, as though the cherished volumes were all singing soundlessly within their covers. – Diana Gabaldon
  8. Reading is of course dry work, and further refreshment was called for and consumed. – Diana Gabaldon
  9. It’s always better if they see. Then they don’t imagine things. So I didn’t imagine, I remembered. – Diana Gabaldon
  10. You’re beautiful to me, Jamie,- I said softly, at last. -œSo beautiful, you break my heart. – Diana Gabaldon
  11. There’s a little trick called the Rule of Three: if you use any three of the five senses, it will make the scene immediately three-dimensional. – Diana Gabaldon
  12. Good sex scene is about the exchange of emotions, not bodily fluids – Diana Gabaldon
  13. If you can’t look a line of dialogue in the face and say exactly why it’s there-”take it out or change it. – Diana Gabaldon
  14. You want to anchor the scene with physical details, but by and large it’s better to use sensual details rather than overtly sexual ones. – Diana Gabaldon
  15. As a rule of thumb, four consecutive lines of dialogue is about as much as you want to have without a tag. – Diana Gabaldon
  16. Don’t let characters talk pointlessly-”they only talk if there’s something to say. – Diana Gabaldon
  17. Dialogue doesn’t take place in a vacuum. Dialogue is contradictory, in that it can either speed up or slow down a passage. – Diana Gabaldon
  18. Pointing out the emotion in a scene is like laughing at your own jokes. – Diana Gabaldon
  19. If there’s true emotional content in a situation between characters, all you do is reveal it. – Diana Gabaldon
  20. Almost everybody understands that you have to have something at stake for a story to be good. – Diana Gabaldon
  21. Conflict and character are the heart of good fiction, and good mystery has both of those in spades. – Diana Gabaldon
  22. I’ve seen women-and men too, sometimes-as canna bear the sound of their own thoughts, and they maybe dinna make such good matches with those who can. – Diana Gabaldon
  23. He has cat blood, I reflected sourly, no doubt that was how he managed to sneak up on me in the darkness. – Diana Gabaldon
  24. The law’s a necessary evil–we canna be doing without it–but do ye not think it a poor substitute for conscience? – Diana Gabaldon
  25. And I have wondered often, was I master in my soul, or did I become the slave of my own blade? – Diana Gabaldon
  26. Nay, he needs a woman, not a girl. And Laoghaire will be a girl when she’s fifty. – Diana Gabaldon
  27. I want to hold you like a kitten in my shirt, and still I want to spread your thighs and plow ye like a rotting bull. I dinna understand myself. – Diana Gabaldon
  28. …knowing what o’clock it is gives ye the illusion that ye have some control over your circumstances. – Diana Gabaldon
  29. At the best of times, Father Bain’s face resembled a clenched fist. – Diana Gabaldon
  30. When you touch someone who authentically represents a tradition, you not only touch his or her tradition, you also touch your own. – Thich Nhat Hanh
  31. Welcome to the house of Gray and Graves where we never lie still and death is only the beginning … – CM Stunich
  32. If you never love you never hurtIf you never hurt you’ve never lived.Love in life and embrace all the pains that come with it.  – Sophia Nam
  33. Richness and fat does need,In logic clever fine deeds,But paunches never do breed,Fine thoughts or sublime seeds.[45] – 2 – Munindra Misra
  34. For every evil under the sun,There is a remedy, or there is none.If there be one, try and find it;If there be none, never mind it. – Mother Goose Rhymes
  35. A touch may not be always be a love but love is always a touch! – Mehmet Murat ildan
  36. A touch may not always be a love but love is always a touch! – Mehmet Murat ildan
  37. A true test of someone’s love is how they act when they’re stressed and not how much they love you when everything’s goin’ good. – TR Graves
  38. Do good.Spread love.Embrace all.Hurt none. – Matshona Dhliwayo
  39. And then things would be fine. Then I’d be fine. – Sarah J Maas
  40. Everything will be fine in the end. If it’s not fine, it’s not the end. – JB Carlson

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